Eksplorasi Visual Flora dan Fauna dalam Ilustrasi Kontemporer Berbasis Medium Gutta Tamarind Diatas Kain Armani
Abstract
This study discusses the visual exploration of flora and fauna in contemporary illustrations based on Armani fabric using the gutta tamarind technique. The purpose of this study is to identify the visual advantages of natural organic forms when processed through a creative experimental approach in textile painting courses. The method used is a creative experimental method with an artistic approach that includes four stages, namely visual exploration, creation of works, analysis of works, and conclusions. Visual exploration is carried out through visual observation, data collection, and literature studies with relevant sources. The creation stage focuses on the application of the gutta tamarind cold wax technique and the exploration of natural and pastel colors. The use of cold wax includes the stages of line formation, coloring, drying, and repeated washing within a period of one to two weeks. The analysis of the work emphasizes that the combination of the entire process can create imaginative visuals. The results of this study confirm that the gutta tamarind technique on Armani fabric has the potential to produce distinctive and unique visual qualities through a combination of lines, motifs, shapes, textures, and colors. Although the gutta tamarind technique is not yet widely used, the findings of this study can be a source of information that can be used and developed further by the community in the process of community development and art practice
Downloads
References
Apin, Arleti M, Pandanwangi, A. & Damayanti, N. (2021). Inspirasi Batik Tamarind dari Cerita Rakyat. Jurnal Budaya Nusantara, 4(2), 269–275. https://doi.org/https://doi.org/10.36456/JBN.vol4.no2.4056
Apin, Arleti Mochtar, Hendrawan, L., Pandanwangi, A., Dewi, B. S., Lameng, Y. B. V. & Da Silva, M. I. (2025). Pelatihan Membuat Ilustrasi Diatas Kain Dengan Menggunakan Teknik Pasta Tamarind Di Ledalero. Jurnal Abdimas Ilmiah Citra Bakti, 6(1), 1–12. https://doi.org/10.38048/jailcb.v6i1.4517
Atika Sari, A. & Nurani Sulistyati, A. (2025). Perancangan Motif Batik Kontemporer Untuk Tekstil Pakaian (Vol. 22, Issue 1). https://doi.org/https://jurnal.isi-ska.ac.id/index.php/ornamen/
Belinda Sukapura Dewi, Apin, A. M., Pandanwangi, A. & Damayanti, N. (2020). Inspirasi Batik Tamarind Dari Cerita Rakyat. Jurnal Budaya Nusantara, 4(2), 269–275. https://doi.org/https://doi.org/10.36456/JBN.vol4.no2.4056
Budiman, I., Himatul Alya, S. & Pandanwangi, A. (2022). Gutta Tamarin Menciptakan Karya Seni Dengan Bahan Ramah Lingkungan. Bahasa Rupa, 05(02), 166–176. https://doi.org/:https://doi.org/10.31598
Cakrajaya, C., Setiawan, L., Caliesta Zefanya, R., Trixie Indrawan, V. & Viviana Sudjianto, N. (n.d.). Interpretasi Hasil Karya Transfer Warna pada Sarung Bantal dalam Mata Kuliah Batik Kreatif. Journal of International Multidisciplinary Research. https://journal.banjaresepacific.com/index.php/jimr
Christensen-Scheel, B., Aure, V. & Bergaust, K. (2022). Artistic and Art-Based Research Methods. Nordic Journal of Art and Research, 11(1), 1–11. https://doi.org/10.7577/information.5078
Fitria Ningsih, E. (2025). Penerapan Motif Flora dan Fauna sebagai Inspirasi Penciptaan Karya Batik Tulis. Imajinasi : Jurnal Ilmu Pengetahuan,Seni,Dan Teknologi, 2(2), 57–71. https://doi.org/10.62383/imajinasi.v2i2.619
Himatul Alya, S., Dewi Kuncoroputri, S. & Pandanwangi, A. (2022). Batik Maluku: Narasi Visual Kekayaan Rempah-Rempah Pada Kain Batik Maluku. Jurnal Bahasarupa, 5(2), 187–197. https://doi.org/https://doi.org/10.31598
Kamelang Mauleti, E., Satyawati Azarja, A. & Djoko, C. Z. (2023). Narasi Ilustrasi Kontemporer: Sebuah Pendekatan Kontemporer. Jurnal Nawala Visual, 5(1), 34–39. https://doi.org/https://doi.org/10.35886/nawalavisual.v5i1.430
Pandanwangi, A., Dewi, B. S. & Apin, A. M. (2024). Inovasi batik kreatif dengan menggunakan perintang gutta tamarind. Jurnal Inovasi Hasil Pengabdian Masyarakat (JIPEMAS), 7(2), 454–464. https://doi.org/10.33474/jipemas.v7i2.21761
Pandanwangi, A., Dewi, B. S., Aryani, D. I., Darmayanti, T. E., Effendi, I. Z. & Nuraeni, D. (2022). Wastra Kreatif: Sosialisasi Dan Pelatihan Teknik Cabut Warna. Aksara: Jurnal Ilmu Pendidikan Nonformal, 8(2), 1011. https://doi.org/10.37905/aksara.8.2.1011-1022.2022
Pandanwangi, A., Purnomo Adi, S., Dewi, B. S., Damayanti, N. & Apin, A. M. (2021). Visualisasi Cerita Rakyat: Figur Perempuan dalam Karya Seni Batik Kontemporer. 31(4), 1–12. https://doi.org/https://doi.org/10.26742/panggung.v31i4.1932
Pattiwael, F. J., Bulu, R. I., Liendani, V., Wen, K. C. & Amelga, C. (2025). Implementasi Ikat Celup Pada Produk Tshirt. Journal of International Multidisciplinary Research, 3(1), 34–42. https://doi.org/https://doi.org/10.62504/jimr1156
Pengabdian, J., Masyarakat, K., Seni, A., Pandanwangi, A., Sukapura Dewi, B., Zainal Effendi, I., Suryana, W., Nuraini, D. & Maranatha, U. K. (2023). Pelatihan Batik Kreatif: Lilin Dingin Untuk Membatik Melalui MGMP Seni Budaya-KCD Wilayah XI Kabupaten Garut. Jurnal Abdi Seni, 14(2), 114–126. https://doi.org/https://jurnal.isi-ska.ac.id/index.php/abdiseni/article/view/4726
Yuningsih, C. R. (2021b). Eksplorasi Medium Gutha Tamarind Dalam Kanvas. Jurnal Visual Ideas, 1(2), 74–79. https://doi.org/https://doi.org/10.33197/visualideas.vol1.iss2.2021.640

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


