Ungkapan Visual Perempuan dalam Karya Seni Lukis dari Sudut Pandang Jenny Saville
Abstract
Jenny Saville is a female artist known for highlighting certain body parts in large sizes. The problem is how the visual expression of Jenny Saville s works attracts the attention of many observers of world art, even though her works are presented out of the box. The aim is to reveal the visualization of women from Jenny Saville s point of view using descriptive qualitative methods. His findings include a painting of a woman with a large figure and drawn using pencil, pastel, oil or charcoal with expressive brush strokes (expressive brush strokes with brilliant and contrasting colors). In conclusion, Janne Seville s work has a metaphorical content in conveying a message to appreciators, that her work seems to present a human body that is different from the standards of female beauty in general.
Downloads
References
Administrator, T. (2017). Elizabeth Vigee LeBrun, Pelukis Orang Kaya dan Bangsawan Prancis. https://www.greelane.com/id/sastra/sejarah--budaya/elizabeth-vigee-lebrun-3528429
Adriati, I. (2015). Visualisasi Tema Maternal dalam Karya Perempuan Perupa Kontemporer Indonesia. Ritme, 1(1), 32–39. https://ejournal.upi.edu/index.php/ritme/article/view/1885/1273
Castaneda, M. J. (2009). “So Terribly, Terribly, Terrifically Fat:” Rethinking Jenny Saville s Grotesque Female Bodies (Issue August) [California State University, Long Beach]. https://media.proquest.com/medi a/hms/ORIG/2/vl9GH?_s=P9VKP%2FtBVG2G2aqsfkTxshJVvvw%3D
Colls, R. (2012). Bodies Touching Bodies: Jenny Savilles Over-Life-Sized Paintings and The “Morpho-Logics” of Fat, Female Bodies. Gender, Place and Culture, 19(2), 175–192. https://doi.org/10.1080/096636 9X.2011.573143
Creswell, J. W. (2014). Qualitative, Quantitative, and Mixed Methods Approaches (J. Young (ed.); Fourth Edi). Sage Publication Inc. https://www.ptonline.com/articles/how-to-get-better-mfi-results
Elnissi, S., Rahim, M. A., & Suryana, W. (2022). Memotion of Fragrance. Ideas: Jurnal Pendidikan, Sosial, Dan Budaya, 8(1), 325. https://doi.org/10.32884/ideas.v8i1.492
Jensen, E. (2020). Fine Art Definition, Meaning, History: Painting, Sculpture, Prints. Visual Arts Cork.
Kleiner, F. S. (2014). Gardner's Art Through The Ages: A Concisw Western History. In S. A. Poore (Ed.), Wadsworth, Cengage Learning, USA (Third Edit). Wadsworth, Cengage Learning.
Marks, L. A. (2022). Precarity, Hybridity and Vacillating Identity: The Work of Michel de M Uzan and Jenny Saville on Being Human in a Body. International Journal of Applied Psychoanalytic Studies, 19(1), 67–82. https://doi.org/10.1002/aps.1727
Meagher, M. (2003). Jenny Saville and a Feminist Aesthetics of Disgust. Hypatia: A Journal of Feminist Philosophy, 18(4), 23–41. https://doi.org/10.2979/hyp.2003.18.4.23
Pandanwangi, A. (2015). Representasi “Teks Budaya Sunda” Menjadi Teks Visual dalam Karya Seni Rupa Instalasi. Seminar Nasional Fakultas Seni Rupa dan Desain Universitas Tarumanagara 2015. Visual Art and Design, Past, Present, and Future, 1–6. http://repository.maranatha.edu/20450/1/Ariesa_Representasi Teks Budaya Sunda.pdf
Pandanwangi, A., & Nuning Damayanti. (2017). Visualisasi Perempuan pada Lukisan Tradisional Tionghoa. Panggung, 27(2), 117–129.
Taylor, S. J., Bogdan, R., & DeVault, M. L. (2016). Qualitative Reseach Methods (4th Editio). John Wiley & Sons, Inc.
Wijaya, K. C., Pandanwangi, A., & Dewi, B. S. (2021). Mirror As Inspiration In The Creation Of Artworks. Aksara: Jurnal Ilmu Pendidikan Nonformal, 7(3), 1009. https://doi.org/10.37905/aksara.7.3.1009-1016.2021.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.